The next day we headed for Venezia (see picture) (Venice), making a few stops along the way. The best was Scarpa's Brion cemetery (see picture), which was commissioned by the Brion family as their own personal cemetery, but also as a park intended for public use (see picture). We got to indulge ourselves with more sexy Scarpa details...there were several gates and operable openings with the most gracefully elegant mechanics you could ever imagine a door having.
Our other stop was at the Nardini Distillery building by Massimo Fuksas. You must google it...it is this pair of giant glass bubble-bug-looking things. Inside they have fancy equipment to test their grappa (the Nardini family has made grappa in this region for generations) and a theater with seats that mechanically open and close in unison. They boast a zero carbon footprint, but that doesn't account for the still-strong resin fumes (practically half of the interior is made from some kind of resin) and the sickly blue pallor the floor and glass cast upon visitors' faces. We sampled several types of grappa, which everyone but me seemed to like...I think I'll stick to wine.
We finally arrived in Venezia Thursday night. After checking into our hotel we went on a long journey by foot in search of Tom's favorite Indian restaurant. It was far away from the hotel to begin with, and we went at least twice the distance weaving and backtracking through the impossibly narrow and weblike streets. There is no such thing as a car in the historical part of Venice. We chose to eat indian food, because anything italian in Venice is overrun by tourism...we had a more authentic experience eating bona fide Indian food.
On Friday morning, Tom gave us a lecture-tour of the important sites (mostly churches) and then we headed to the Biennale, an international architecture exhibition that happens every two years in Venice. On Friday we went to the 'Giardini' (which means gardens) portion, which is organized by countries, each with its own pavilion. The theme this year was 'beyond architecture,' so there was some pretty artsy, fanciful things, but there were lots of interesting and compelling exhibits...the best ones were interactive....and the most ridiculous ones were intended to be interactive but were covered in signs saying "do not touch." My favorite one had the entire pavilion covered ankle deep in confetti, with signs everywhere saying: 'it is forbidden to throw confetti.' I'm pretty sure everyone that went in there secretly threw a little bit of confetti in the back room.
Saturday was an amazing day- I went to the market (see picture) first thing, which the most therapeutic experience I've had in awhile. The produce was brighter, cheaper, and more varied than what we have in Rome, and the fish market was incredible. I took a million pictures of ooey-gooey sea creatures. I explored around a little more before making my way to the other section of the Biennale: 'Arsenale.' These exhibits were organized by firm, and many of them were quite witty. We caught a late afternoon train back to Rome, and now it's back to work again! Today I went to a new market I haven't been to yet farther from home, and discovered that the produce is fresher and more varied, so I had yet another therapeutic shopping experience!
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